Showing posts with label craft. Show all posts
Showing posts with label craft. Show all posts

Thursday, December 9, 2010

Viewpoint #27

The latest issue of Viewpoint is now available for loan from the Learning Centre.

Contents:
  • The Information: Viewpoint's pick of graphics, technology, retail, design and culture news
  • The Analysis: An introduction to DIY
    • Yes we can! The DIY movement has moved on from home improvement to encompass technology, distribution and communication methods that, in theory, allow anyone to make anything and bring it to market.  The effect will be profound for consumers and brands alike, says Anna Sansom
    • The blueprint home As 3D printing becomes more advanced and accessible, in the not-too-distant future we will see consumers taking the ultimate creative control of the products they consume.  The home will become a mini factory, with domestic 3D printers capable of printing anything from clothing to food.  Viewpoint visualises the potential future of the blueprint home.  By Kate Franklin, with photography by Metz+Racine and props by Peter Cole
    • Doing it for themselves From hi-tech hacking to handicrafts, DIY in the 21st century has different meanings for different people.  Liz Hancock identifies today's key DIY groups and explores their implications for business
    • Clicks and mortar The people-less purchase is coming soon to a store near you, as consumers become their own sales assistants.  By Duncan Graham-Rowe
    • Hack it better Hack it better, or even hack it beautiful, is the modern-day make-do-and-mend mantra.  Discarded or broken items and materials are creatively adapted to enhance functional, aesthetic or emotional appeal.  Viewpoint collates and specially commissions pieces from designers ready to revamp refuse.  By Kate Franklin and Caroline Till, with photography by Victoria Ling
  • The Argument: Six trend opinion-formers give their views Small is Beautiful; Closed Wallets, Closed Minds; Tell Us a Story; Eco Equals Ego; Back to the Future; Come Together
  • The Vision: A visual essay of ten influential ideas in ten images.  By Kate Franklin and Jacob Strand
  • The Features:
    • Patriot gains 'Buy local' has long been a mantra for food shopping, but now consumers are applying buy-national thinking to a far wider range of products.  Josh Sims asks whether brands should be waving the flag for the patriotic purchase
    • It's the real thing We spend so much time immersed in virtual worlds, there is now a backlash towards reconnecting with the physical.  But real and virtual are far from irreconcilable and the real innovation will take place in the ambiguous territory between the two.  By Mark Hooper
    • (R)IP? Received wisdom has it that a brand protects its intellectual property at all costs.  But open-source thinking, the free sharing of concepts, technology and even production methods, might do for the world of things what is successfully achieving in the world of data, explains Daniel Nye Griffiths
    • Testing times Challenger culture is raising the bar for personal achievement ever higher, through extreme sports, hobbies and entrepreneurialism.  As pushing the limits becomes the norm, Kevin Braddock asks whether the era of the amateur is over
    • The new naive Mixing styles and transcending genres with a childlike disregard for the rules, a new school of illustrators and designers is rediscovering the expressive power of naivety.  The handmade is combined with the digitally designed, the real with the unreal.  Viewpoint introduces its pick of the creatives setting the aesthetic agenda for the coming seasons.  By Kate Franklin and Bianca Wendt
  • The Overhaul:
    • Knightsbridge over troubled water? When Viewpoint asked young design agency Campaign to rework an existing brand, the choice was Harrods, the most famous and historic shop in Britain.  But just how do you update a retail icon and tourist Mecca?  By Martin Bewick
  • The Digest: Snapshots of some big ideas
    • Please re-lease me Movies, mansions, mongrels; more and more items can be rented on demand rather than bought outright - which poses a conundrum for anyone trying to sell.  By Gwyneth Holland
    • Sales: the final frontier Are designers and business overlooking an enormous opportunity in the developing world? By Clare Dowdy
    • Too much, too young The culture of accelerated youth is seeing teens developing a can-do attitude that will have far-reaching consequences for business.  By Jane Kellock
    • Location, location, location The property buyer's mantra is set to become social media's new spin for consumers and brands alike.  By Rachel Arthur
    • Handbuilt by robots Craft and technology, once polar opposites, are merging.  By Jacob Strand
    • The big giveaway Brand philanthropy is taking tentative steps beyond the standard baseline of corporate social responsibility.  By Kevin Braddock
    • The ego has landed The 'me generation' has discovered a creative outlet far more fulfilling than micro-stardom.  By Jacob Strand
    • The plastic oh-no band Can life after plastic still be fantastic? Maybe, as sugar plastic, liquid wood and ceramic alternatives come to the fore.  By Mark Hooper
    • Cut to the chase Could no-nonsense, say-it-like-it-is advertising be the way to reach a new generation of media-savvy consumers? By Mark Tungate
    • Community over cash When is a shop not just a shop? When it's a theatre, a club, a lab or a cultural space, a shop as participatory hub for experiences and interactions other than the purely commercial.  By Clare Dowdy
  • The Form: Viewpoint's round-up of the current key design aesthetics

Wednesday, November 24, 2010

Craft, Space and Interior Design, 1855-2005

Craft, space and interior design, 1855-2005 edited by Sandra Alfoldy and Janice Helland is a new book that is now available for loan from the Learning Centre.
"Constructed space is defined by its shape, by the materials with which it is enclosed and by the objects that are placed within or decorate its exterior or interior. The interaction of these crafted objects or decorated surfaces with space provides viewers or inhabitants with visual clues about the environment as well as visual cues about decorum: viewers can know what kind of behaviour is expected and what the space means. Furnishings and dress, textile panels and clay pots, stained glass and gesso panels, all defined as craft or decorative art, give architectural space, defined as high art, its character: without craft, architecture is empty and devoid of meaning.
This engaging collection of essays presents the first sustained exploration of the relationship of craft to architectural spaces. The book unravels the complex ways in which craft controls, manipulates, organises and defines space, to highlight how the relationship between craft and space can be understood as a form of communication between related parts that combine to form a unified whole." -- back cover

Tuesday, November 9, 2010

Craft Arts International No. 80 (2010)

The latest issue of Craft Arts is now available for loan from the Learning Centre.

Contents:
  • THE GLASS OF STEFFEN DAM (specimens from a fictitious world) by David Revere McFadden
  • A POTTER'S PROFILE (ceramics): JOHN BEDDING by Lucy Frears
  • A PLACE FOR THE IMAGINATION (furniture): HELMUT LUECKENHAUSEN by Rodney Hayward
  • GLASS PANELS OF LISA CAHILL (kiln-formed & cold-worked) by Eva Czernis-Ryl
  • JILL FANSHAWE KATO (functional "art" for the dining table) by Ian Wilson
  • ART LIESTMAN (sculptural compositions in wood) by Kevin V. Wallace
  • EXPRESSIVE SINGULARITIES (jewellery): BARBARA CHRISTIE
  • FANCIFUL AND FORCEFUL (pâte de verre): DENISE PEPPER by Dr Nien Schwarz
  • NICK STATHAM (furniture): by George Duchez
  • A GLASS PALIMPSEST (kiln-forming): MARC GRUNSEIT by Richard Morell
  • PROFILES IN PRINT - ALISON ALDER (printmaking) by Prof. Sasha Grishin
  • HANS BORGONJON (ceramics) by Steven Jenkins
  • EVENTS AND REVIEWS
  • PORTFOLIOS: Ane Christensen (silversmithing) and Colleen McLean (fibre)

Monday, July 26, 2010

Dumbo feather, pass it on -- Issue 24 (Autumn 2010)

The latest issue of Dumbo feather, pass it on is now available for loan from the Learning Centre.

Contents:
  • Magda Sayeg "I'm taking this craft that is really familiar and bringing it into a different context, which I think, on the most part, has been quite successful ... I think yarn is bad ass."

KoontroVersaillestial -- Spinning a Yarn -- Setting the Standard

  • Dorje "I can blather on and chant in Sanskrit and I can sit still for a long time and sound very wise when I relate certain Buddhist teachings, but in reality I'm just your average Aussie guy who likes surfing and found my own approach."

Going with the flow -- Fear itself -- The power of right now

  • Carmelina Ricciardello "They've forgotten about these little villages where the real Sicilian life happens ... I thought it'd be good to bring people to the village, rent them the houses, get some income into the local restaurants and develop some of the old traditions."

Springing back to life -- Sicily's son -- Old Wives' Tales

  • Jan von Holleben "Through playing I can manage to do most of the things that I want to do and I can actually come up with results ... I realised that with photography I was able to play a lot. With photography there are no set rules; you have to find your own rules."

Jan at play -- Berliner -- The Players

  • Fleur Sullivan "Then I discovered Clyde. That's when I found my old hotel. I was 28 when I bought Dunstand House. It was an era when people were trusted. We didn't have locks and keys ... With everything I've done, the timing has been right."

Kidding around -- Fleur's Land -- What goes a round?

Tuesday, July 20, 2010

Talk by furniture designer and maker Ian Factor

1.pm–2.pm Friday 23 July 2010
at Craft ACT: Craft and Design Centre

You and your guests are invited to join Craft ACT for an artist floor talk by furniture designer and maker Ian Factor.

Discover contemporary furniture which explores a new consciousness in furniture design. Factor’s distinctive works establish a creative fusion between abstract design and functional furniture using sustainable timbers. The exhibition will examine the effect of placing contemporary furniture in a gallery context showcasing the union of functionality with abstract and sculptural forms.

All visitors to Abstract will be eligible to win a Factor Design side table valued at $495.
Abstract by Ian Factor is currently on display at Craft ACT and continues until Saturday 31 July.
Level 1, North Building, 180 London Circuit, Civic ACT
GALLERY HOURS Tue–Fri 10.am–5.pm Sat 12.pm–4.pm
www.craftact.org.au

Tuesday, July 13, 2010

Craft Arts No. 79 (2010)

The latest issue of Craft Arts International is now available for loan from the Learning Centre.

Contents:
  • FOR THE LOVE OF ANIMALS & TASMANIA (painting): MICHAEL McWILLIAMS by David Lake
  • SIMON LEVY (woodcarving and pyrography) by Kevin V. Wallace
  • DAPHNE CORREGAN (thematic variations of the raku technique) by Etty Walda
  • WENDY HOARE (gigantic wheel-thrown and coil-built vessels) by John Mathieson
  • LUBOMIR FERKO (slumped and cast glass sculpture) by Dr. Frans Jeursen
  • SOFTER OPTIONS (metal and textile jewellery): VICKI MASON by Meredith Hinchliffe
  • HOLLY GRACE (blown glass with a Scandinavian influence) by Gordon Foulds
  • WENDY FAIRCLOUGH (blown glass and mixed media installations) by Roy Ananda
  • PRE-TEXT: THE IMPORTANCE OF CREATIVE SCHOLARSHIP by Anita Taylor
  • PROFILES IN PRINT - MICHAEL KEMPSON (printmaking) by Prof. Sasha Grishin
  • EVENTS AND REVIEWS

Monday, July 5, 2010

Typeface

Typeface is a new DVD now available for loan from the Learning Centre.

"In rural Wisconsin, a lone employee waits in a cavernous old museum for visitors to come. A few individuals straggle in every few days and then, come Friday, the museum fills with life. Machines hum, presses print, artists buzz about. One weekend each month, the quiet of Two Rivers is interrupted as carloads of artisans drive in from across the Midwest. The place comes alive as printmaking workshops led by, and filled with, some of the nation's top design talent descend on the sleepy enclave.

In a time when people can carry computers in their pockets and watch TV while walking down the street, Typeface dares to explore the twilight of an analog craft that is freshly inspiring artists in a digital age. The Hamilton Wood Type Museum in Two Rivers, WI personifies cultural preservation, rural re-birth and the lineage of American graphic design. At Hamilton, international artisans meet retired craftsmen and together navigate the convergence of modern design and traditional technique. But the Museum's days are numbered. What is the responsibility of artists and historians to preserve a dying craft? How can rural towns survive in a shifting industrial marketplace where big-box retailers are king?" -- back cover

Monday, June 7, 2010

World Environment Day Art and Design Market

Saturday 12 June, 12:00 – 5:00pm
Belconnen Arts Centre

This fabulous art market showcases cutting-edge, environmentally-friendly art and design from local and regional producers. Come and check out the amazing variety of quality hand crafted goods, including contemporary Aboriginal glass, silks and textiles, ceramic birds and sculptures, marbled paper products, hand felted and woven scarves, wraps, solar plate etchings, bags, cushions, throws, cards, buttons, recycled books, glass beads, paintings, silver and gold inlay jewellery.

Belconnen Arts Centre
PO Box 183, Belconnen, ACT, 2617
P: 02 6173 3300
F: 02 6173 3301
E: info@belconnenartscentre.com.au
W: www.belconnenartscentre.com.au

Tuesday, June 1, 2010

City of design talkfest: craft and the centenary

Craft ACT Galleries
Tuesday 1 June 6.pm–7.pm

Join in and talk, chat and yak about what makes Canberra tick. Craft ACT with Craft Australia host City of design talkfest – an informal talk examining Canberra and the impact and influence of contemporary craft and design on this city.This year's city of design talkfest titled Craft and the centenary focuses on the vital links between craft, design and the legacy of the modernist movements in Canberra 100 years on, drawing on the influence of industrial designer Fred Ward.

Level 1, North Building, 180 London Circuit, Civic ACT
www.craftact.org.au
Visit the Designing a Capital: Crafting a City program on our website.